Tovarisch, I Am Not Dead.
HomeAbout the FilmTrailerMovie BlogHistorical BlogAbout the BookScreenings and FestivalsPress
Historical Blog
Showing posts with label gulag. Show all posts
Showing posts with label gulag. Show all posts

Monday, 6 November 2006

Brief History

The Soviet system of forced labor camps was first established in 1919 under the Cheka, but it was not until the early 1930s that the camp population reached significant numbers. By 1934 the Gulag, or Main Directorate for Corrective Labor Camps, then under the Cheka's successor organization the NKVD, had several million inmates. Prisoners included murderers, thieves, and other common criminals, along with political and religious dissenters.

The Gulag, whose camps were located mainly in remote regions of Siberia and the Far North, made significant contributions to the Soviet economy in the period of Joseph Stalin. Gulag prisoners constructed the White Sea-Baltic Canal, the Moscow-Volga Canal, the Baikal-Amur main railroad line, numerous hydroelectric stations, and strategic roads and industrial enterprises in remote regions. GULAG manpower was also used for much of the country's lumbering and for the mining of coal, copper, and gold.

Stalin constantly increased the number of projects assigned to the NKVD, which led to an increasing reliance on its labor. The Gulag also served as a source of workers for economic projects independent of the NKVD, which contracted its prisoners out to various economic enterprises.

Conditions in the camps were extremely harsh. Prisoners received inadequate food rations and insufficient clothing, which made it difficult to endure the severe weather and the long working hours; sometimes the inmates were physically abused by camp guards. As a result, the death rate from exhaustion and disease in the camps was high. After Stalin died in 1953, the Gulag population was reduced significantly, and conditions for inmates somewhat improved. Forced labor camps continued to exist, although on a small scale, into the Gorbachev period, and the government even opened some camps to scrutiny by journalists and human rights activists. With the advance of democratization, political prisoners and prisoners of conscience all but disappeared from the camps.

For an excellent account of this period in history, please visit Anne Applebaum's site. A contributor to the Tovarisch film, her account won a Pulitzer Prize for its harrowing and accurate portrayal of life in the Gulags.

Monday, 25 September 2006

A Gulag World?

Hi all, Tom here. I'd like to ask visitors who have direct or indirect experience from the gulags if stories from Iraq about torture, interrogations, extra-territorial renditions and the like are familiar, disturbing, frightening...?

As I'm American (the only Yank on the team here), I guess I'm curious. What my country is doing--is it the same as what happened in the U.S.S.R.? The Washington Post published an article centered on an interview with Vladimir Bukovsky about interrogations in the Soviet era-- here's the link. How true is this?

I'll probably write more on this later--I don't want this to become the dominant issue of this weblog, but I am curious about this.

Thanks for your input.

Monday, 21 August 2006

Remembering The Gulags Through Art


While searching for information about other survivors of the Gulags I came across the story of an artist who spent 8 years in Stalin's prisons. Nikolai Getman was arrested in 1945 for the crime of meeting with other artists - one of them drew a caricature of Stalin and all of them were arrested. Nikolai, after his trial in 1946 was sent to Taishetlag in Russia's Irkutsk Oblast.

While Nikolai's story echos many that I have read, it is the images on his site that made me feel I had to include his tale as part of Tovarisch, I Am Not Dead.

As an artist Nikolai felt that he should make a record of the Gulag, and upon his release in 1953 he started a 40 year project, in secret, to create a series of paintings and sculptures.

The images on both pages on the site that I found are both moving and disturbing, and are accompanied by the artist's own recollections.
 
©2007 Cyclops Vision, All Rights Reserved | Terms of Use | Accessibility Statement | Site Map